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Anathallo
Canopy Glow
Campus Correspondent Review By Chad Comello,
North Central College
Over the last eight years of making music together, Anathallo’s sound has evolved slowly and subtly. Starting in 2001 with Luminous Luminescence in the Atlas Position and continuing with A Holiday at the Sea two years later, the band had adopted an almost avant-garde twist to its orchestral indie flare. This trend continued with the Japanese folklore-centered Floating World in 2006, but Canopy Glow, its happy asymmetry has been slightly smoothed out in favor of a more streamlined yet still wholly original sound.
Still, the Anathallo touch remains strong in Canopy Glow. The players follow the hypnotic opening track “Noni’s Field” with “Italo,” one of many tracks in which the dual male/female vocals from Matt Joynt and Erica Froman and the exceptional drumming lead the way. Other highlights include the flighty “John J. Audubon” and “Northern Lights,” which is a perfect example of art imitating life; the aurora borealis comes to life in this song’s droning glow.
The tone throughout Canopy Glow is relatively more somber than their previous works, especially Joynt’s vocals. The Chicago-based octet uses the piano and guitar in a much more traditional way than they have in the past, mixing a funky piano riff into the steady groove of “All the Same Pages.” It’s like members are running for president: moving to the center while still holding on to some radical roots. In the end, though, it’s still the same Anathallo—the perfect mix of quirk, catchiness and a whole lot of talent.
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