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Nas
Untitled
By Joe Walker
Rapper Nasir Jones has problems with racial tension and dishonesty in America. And this, his ninth album, may worsen our dilemma in certain circles while educating in others. His views, at times, are cracked like the bricks of his Queens, New York housing projects origin. Once you've completed listening to this politically and socially charged set, you should have a better understanding of Nas' damage and why he views our country through such distorted vision.
This album concludes with "Black President," an analytical set of verses targeting our nation’s possible future (complete with samples of Barack Obama, thanks to DJ Green Lantern). Are we ready? Only time will tell. Nas doesn't predict the future here; he simply, albeit aggressively, details the implications of having a black president. On "Hero" (featuring singer Keri Hilson), Nas honors such performers as Bob Dylan for his social, heroic narratives, while proclaiming that Americans — our youth especially — need to find positive voices to stand firmly behind. Production by Polow Da Don finalizes its impact like music for a summer action flick's closing credits. The same can be said for the Salaam Remi-produced "Can't Stop Us Now," with a musical flavor more to Nas' taste.
Most of Nas' lyrics are objective and inquisitive throughout, though he does have moments of one-sided vernacular. One: he should have suspended use of "the N word" on this LP, which was originally to use the slur as its title. He didn't need it to emphasize his point. One of hip-hop’s most descriptive, articulate writers shouldn't overstate; it’s a problem Nas has yet to overcome. Underneath this album's intentions and minor flaws, the all-important rhymes and beats are impactful. This isn't Nas' best album but definitely one of his best. So pick it up. Dr. King said, "We shall overcome." Nasir Jones says, “We'd better.”
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